Another year, another Pitch Wars! This is my third year doing it, and I’m excited to be back.
Don’t know what Pitch Wars is? Click this link.
The last year two years were a lot of fun, and I’m very proud to say that both my mentees, Victor Manibo and Jennifer Mandula, landed with really solid agents. And one of them might have some very exciting news to share soon but I’ll let them tell it…
Anyway. This is a cool process and at this point you’re probably wondering who I am and what I’m looking for, so here goes:
I’m the former publisher of MysteriousPress.com, at which I published and edited more than a dozen books in the crime/mystery genre (A Swollen Red Sun by Matthew McBride, several Nero Wolfe books by Robert Goldsborough). I wrote a five-book amateur PI series and a collection of food-noir short stories, all for a small press, Polis Books. I co-wrote Scott Free with James Patterson, and my last novel, The Warehouse, is out from Crown—it’s been sold in more than 20 countries and been optioned for film by Ron Howard. My next book will be The Paradox Hotel, with Ballantine, and will come out in February. My non-fiction articles have been published widely—Daily Beast, Salon, LitHub, Electric Literature. I also take on freelance editorial clients through 22Literary.
This is all to say… I’ve seen the industry from a couple of unique angles, I know a little bit about a little bit, and I think I can offer some useful advice.
I want you to write the best book you can. I want you to do it. I want to give you the insight to recognize where your story can be stronger, and the tools to make it happen—then get the hell out of your way. I want you to come out of this process with a shiny new toolkit. I’m going to push you because the story has to win in the end. I love big picture stuff—I’m okay with copyediting, but a few misspelled words are not going to hurt you as much as a plot that doesn’t hold up to scrutiny, so I’ll be focusing slightly less on the former.
What I want:
- Mixed genres: I like books that straddle genres. A murder mystery with time travel? A heist story set on a Mars base? Please and thank you. I won’t say no to a classic PI novel if it really lights my fire, but this is where my head is at: big, sprawling, challenging ideas.
- Strong social themes: I’m a big fan of books that get to the root of crime. I care less about the street crime created by the heroin crisis and more about the pharmaceutical companies that started it. Blue-collar crime? Yawn. White-collar crime? All day long. I like politics in my fiction. The Warehouse is an indictment of capitalism and consumerism wrapped in the language of a thriller. The Paradox Hotel is a time travel story about how billionaires will let the world burn as long as they get paid. That’s my sweet spot.
- Diverse stories: I’m a white guy. I have read a lot about white guys in my lifetime. I’m not saying I won’t accept something with a white male protagonist—making a visceral connection to the narrative is the ultimate goal here. But as of late, I’m more interested in stories different from my own upbringing and experience. Think American Spy by Lauren Wilkinson (black Cold War-era FBI agent), the Roxane Weary mysteries by Kristen Lepionka (LGBT private investigator), Gods of Jade and Shadow by Silvia Moreno-Garcia (Mexican fantasy), and Three-Fifths by John Vercher (noir featuring a bi-racial protagonist).
- Deeply, deeply human stories: Let’s use American Spy as an example because that book legit made me cry. It’s a spy novel, about a black woman in the FBI during the Cold War, so there are themes of racism and sexism. And the book could have just been that and it would have been really good. But it’s also a romance, and it’s a story about a mom and her kids. And those are the things that make it great. So… plot is great. Ideas are fun. Character is the most important thing. And I want deep emotional honesty more than anything else.
What I don’t want
- Game of Thrones– or Wheel of Time-style fantasy: Not my wheelhouse. A book with elements of fantasy (see genre-straddling above), I’m cool with. Got a PI who also uses magic? Great. But full-on fantasy, I don’t think I can offer effective guidance.
- A first draft: I want something you’ve worked over a few times and you think you’re done, or close to it. Spoiler alert: you’re not even close! But one of the best pieces of advice I ever got is: your book is ready for the next step when you don’t know what else to do with it. That’s the point when you need to bring in another perspective (like me!).
- Transgressive fiction: It is really, very rare for transgressive fiction to be done well. I cut my teeth on Chuck Palahniuk but I want emotional honesty a lot more than I want subversive, explosive violence for the sake of itself.
- A violent act against a woman as the inciting incident: Most any trope can be reinvented and done well but this one really needs to just… go away. If your story opens with a naked dead woman wrapped in plastic, I don’t think think it’ll be for me.
I like e-mail, and occasional Skype/Zoon/FaceTime session is cool. If you’re local to NYC or you’re visiting, I’d be open to getting a socially-distanced drink/coffee/cupcake. I know a really good cupcake place.
Find more wishlists below!
Pitch Wars 2021 Adult Mentors’ Wish Lists
- Anna Kaling (Accepts NA)
- Ian Barnes (Accepts NA)
- Jackson Ford
- Jake Nicholls (Accepts NA)
- Jesse Q. Sutanto and Grace Shim
- Charish Reid and Denise Williams
- Saara El-Arifi (Accepts NA)
- Rosie Danan and Ruby Barrett (Accepts NA)
- Carolyne Topdjian
- Falon Ballard and Brooke Abrams
- Mary Keliikoa (Accepts NA)
- E.A. Aymar
- Amanda Elliot (Accepts NA)
- Kelly Siskind
- Vaishnavi Patel and Sarah Mughal (Accepts NA)
- Mary Ann Marlowe and Laura Elizabeth (Accepts NA)
- Mia P. Manansala (Accepts NA)
- Peggy Rothschild (Accepts NA)
- Natalka Burian
- Courtney Kae and Jenny L. Howe (Accepts NA)
- Rochelle Karina (Accepts NA)
- Swati Hegde (Accepts NA)
- Nanci Schwartz and LL Montez
- Paris Wynters
- Hudson Lin
- Sarah Remy (Accepts NA)
- AM Kvita (Accepts NA)
- Heather Van Fleet and Jessica Calla (Accepts NA)
- Melissa Colasanti (Accepts NA)
- J.A. Crawford (Accepts NA)
- Michella S. Domenici
- Yvette Yun and Marith Zoli (Accepts NA)
- Sari Coritz and Rosalie M Lin (Accepts NA)
- Stephenie Magister and Noreen (Accepts NA)
- Regina Black and Nikki Payne (Accepts NA)
- Farah Heron and Namrata Patel
- Alicia Thompson and Amy Lea (Accepts NA)
- Lyn Liao Butler
- Preslaysa Williams (Accepts NA)
- Keena Roberts and Molly Steen (Accepts NA)
- Alexandria Bellefleur (Accepts NA)
- Samantha Rajaram
- Ashley Winstead
- Clay Harmon (Accepts NA)
- Rob Hart
- Cole Nagamatsu and Sequoia Nagamatsu
- N.E. Davenport (Accepts NA)
- Katherine Lim
- Alexia Gordon
- Cynthia Pelayo (Accepts NA)
Click here to view all Pitch Wars 2021 Mentors’ Wish Lists. To view the wish lists by genre, visit this link.