Join #QuarantineMysteryBookClub and #SupportLocalBookstores!

a03538c0-915a-4509-bcf6-ebcb207647e2-15152-00001b242450a369This is one of those fun instances where I’ve been invited to a party where I feel like I am crashing the gates and will probably get thrown out when I’m discovered? I mean, jeez-louise, look at the talent here!

Seriously, three cheers to Ben Winters for putting this together. This book sounds AWESOME and it’ll be fun to jaw about it with such an incredible lineup of writers. It’s for a good cause and I’m thrilled to be doing it.

Join the #QuarantineMysteryBookClub to #SupportLocalBookstores

Hang out with your favorite mystery writers and support local bookstores through a tough time.

It’s easy…

1. Buy the “book club selection”  — Upright Women Wanted by Sarah Gailey — at your favorite independent bookshop, or at

2. Join us HERE on Monday May 4 at 8 PM EST / 5 PM PST for the discussion!


See?! How much fun will this be. Get to ordering. Mail is moving slow so you want to make sure you’ve got time to read it…

BOTH SIDES, an anthology of border stories, is out today

51Dr7RxM-NLLa frontera is full of stories…

Today marks the release of Both Sides: Stories From the Border, edited by my bud, Zero Saints and Coyote Songs author Gabino Iglesias. It’s an anthology I’m proud to be in, because of the relevancy of the subject matter, but also because I’m sharing space with some incredibly talented writers.

And I’ll be honest—a part of me feels like a bit of a charlatan to be in here! Because I’m a white guy, and a born and bred New Yorker, and I know voices most suited to tell stories about true hardship and suffering often don’t get that chance in this industry.

Not to say writers can’t push themselves and tell stories that don’t align with their experience and privilege. Those stories just need to be handled with thought and care. They need to reach for those feelings that are universal—in the story I wrote, about being a dad, and the feeling that I’d do anything to protect my daughter, and the fear and frustration I feel at the kind of people who call themselves patriots but, in reality, act against everything America is supposed to stand for. Continue reading

Now accepting reservations at the Paradox Hotel


Time travel hotel.

That’s it. That’s all I had. It struck me while wandering the McKittrick Hotel during a performance of Sleep No More. What if there was a hotel where you could walk in a room and find yourself five minutes ahead, or ten minutes behind?

I wrote it down and it sat there while I did other things—but I’m a sucker for a good time travel story. It kept calling to me. I thought it might be a good vehicle to write about the assumed power of money. Time travel and financial markets both being largely theoretical.

It kept calling to me even as I spent nearly a year working on a book that, ultimately, never came together.


Welcome to the Paradox Hotel. My next book. Coming out at some point next year probably.
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Writing through fear

I’ve said this in a bunch of interviews but: I originally got the idea to write The Warehouse back in 2012. Then, it was a little seed of an idea that needed time to grow, and part of the process was letting it take root, letting it suck up water and nutrients, and letting it blossom. I didn’t start writing it in earnest until something like 2015. And I had three or four false starts before I really cracked it.

But part of the reason it took so long was that I was afraid to write it. I didn’t think I was a good enough writer. I didn’t think I was smart enough. It was economic policy and criticisms of capitalism wrapped in the blanket of a thriller.

I thought to myself: I’ll get there eventually. One of the things I do when I feel challenged by something is, I go bigger. Maybe so the thing that’s actually scaring me seems less scary. So I came up with this idea for a novel, that I don’t want to completely give away because it might be salvageable at some point, but it was a horror novel, wrapped in a memoir of the author who is writing it, and the way fiction and reality influence each other. It was a very meta, very risky narrative, and I wrote 70,000 words before I realized I’d hit a wall. Continue reading

My favorite reads of 2019

It’s that time of year again, when I have to list my five favorite reads for LitReactor and I feel like an asshole because I read so many good books and how in the wide world of fuck can I possibly narrow it down?

I tried my best. My top five is:

American Spy by Lauren Wilkinson, Recursion by Blake Crouch, Wanderers by Chuck Wendig, Three-Fifths by John Vercher, and Such a Fun Age by Kiley Reid. You can see my reasoning here.

BUT there were a whole lot of books I read that I really liked and I am going to list some more of them here because this is my site and I can do what I want. This is for books released in 2019 (some of which I really struggled about including in the top five).

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I’m back from Europe, having spent a week shuttling from Milan to Munich to Hamburg to Amsterdam. And it was a trip. Not just because I covered so much ground, or ate so much food, or wandered through not one but two famous red light districts. It’s because I got the chance to see the kind of impact The Warehouse is having in other parts of the world and the entire process was humbling and surreal.

I also learned some fun stuff about the weird cultural differences of book publishing and promotion in other countries. Which I thought it might be fun to talk about here.

(Oh, and before I left, I went to all the Hudson News stands in Terminal 4 at JFK and signed their copies of The Warehouse… so if you’re flying through there soon and want to get one, there you go.)

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