Writing Advice Sucks #2: How forgetting shit might make you a better writer

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Last week I talked about the mechanics of thrillers and writing to trends.

This week I want to talk about why forgetting shit can be really valuable.

I’m the kind of writer who needs an outline. I respect people who can write by the seat of their pants—that ain’t me. My outlines don’t need to be super intense (usually a couple of sentences per chapter), and a lot of times I’ll diverge from them. But I need a general sense of where I’m going.

I learned this as I was writing my first book, New Yorked, which took me five years to finish. I was just writing blindly, and had to keep finding my path. I re-wrote it from the ground up twice. It tried to outline it three or four times after I’d already written it.

I went into my second book, City of Rose, with a solid outline, and it took me four or five months to write.

Which, granted, I knew my character and I found my process, and I had more confidence. But the outline helped a lot.

Remember: writing advice is mostly bullshit and you have to take what works for you and trash the rest. Maybe outlines don’t work for you. That’s fine! But I do have a trick for them. I even found another place to apply that trick, in my research. Continue reading

Writing Advice Sucks #1: The mechanics of thrillers, writing to trends, and free books

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I hit the publishing hat-trick with my newest book, The Warehouse. Nice deal with Crown, sold to publishers in more than a dozen countries so far, and optioned for film by Ron Howard. One of the funny/odd/interesting things about this is: how other people have responded.

Besides the general well-wishes, one writer called dibs on getting a blurb when his next book is ready (which is baller, so I said yes). I’ve had people walking on eggshells like I’m suddenly going to forget who my friends are (I won’t!). I’ve had at least one person quiz me on how the deal went down, and seemed so stunned that, by the end of the conversation, I felt a little bummed out (because it sounded like: “how did you manage to do this?”).

But one question I’ve gotten a couple of times now is: did you write something you were passionate about, or did you write to a trend?

And the more I think about it, the more I want to answer that. Because it’s like 95 percent no and five percent yes. And even that five is a little wonky.  Continue reading